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...one who alternates haphazardly between antifetishism and positivism like the drunk iconoclast drawn by Goya, but the one for whom, if something is constructed, then it means it is fragile and thus in great need of care and caution.«22702270. Latour, Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern 2004, vol. 30, s. 246.